"Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato" by Sergei Rachmaninoff, Alexandre Tharaud, Alexander Vedernikov, Royal Liverpool Philharmonic Orchestra was released on October 21, 2016. Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato appears to be safe for all ages as it is not explicit. There are a total of 11 in the song's album "Tharaud plays Rachmaninov". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato by Sergei Rachmaninoff, Alexandre Tharaud, Alexander Vedernikov, Royal Liverpool Philharmonic Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
3 Old Viennese Dances: Kreisler - Liebesleid | Sergei Rachmaninoff, Idil Biret | D♭ Major | 0 | 3B | 71 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Prélude in C sharp minor, Op.3, No.2 | Sergei Rachmaninoff, Jorge Bolet | F♯ Minor | 1 | 11A | 97 BPM | ||
Liszt: 3 Liebesträume, S. 541: No. 3 in A-Flat Major, "O lieb so lang' du lieben kannst" | Franz Liszt, Aimi Kobayashi | A♭ Major | 0 | 4B | 115 BPM | ||
3 Old Viennese Dances: 2. Liebesleid | Fritz Kreisler, Shlomo Mintz, Clifford Benson | A Major | 0 | 11B | 105 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro Moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | B♭ Major | 1 | 6B | 98 BPM |
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