Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra made "Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25c, Pas de quatre. Variation II "The Blue Bird and Princess Florine"" available on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25c, Pas de quatre. Variation II "The Blue Bird and Princess Florine" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #21. Based on our statistics, Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25c, Pas de quatre. Variation II "The Blue Bird and Princess Florine"'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25c, Pas de quatre. Variation II "The Blue Bird and Princess Florine" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio Espagnol, Op. 34: 3. Alborada | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 2 | 5B | 133 BPM | ||
Act I: Entree Of Kitri (Minkus) | Mariinsky Orchestra | G Major | 1 | 9B | 172 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16d, Pas de deux de Fanny Elssler. Man's Solo | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 2 | 6B | 128 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Itzhak Perlman, André Previn, London Symphony Orchestra | D♭ Major | 1 | 3B | 92 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Tempo I. Energisch bewegt | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 1 | 12A | 132 BPM | ||
Imperial Attack | John Williams, London Symphony Orchestra | E Major | 2 | 12B | 82 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Tempo di valse: Men's Variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 88 BPM | ||
Raymonda, Act I: Reprise de la Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 3 | 10B | 110 BPM | ||
Mother Goose: III. Pavane de la belle au bois dormant | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | E Minor | 0 | 9A | 89 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 1: No. 9, Cinderella dreams of the Ball (Andante dolce) | Sergei Prokofiev, André Previn, London Symphony Orchestra | D♭ Minor | 0 | 12A | 123 BPM |
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