"Prokofiev: Cinderella, Op. 87, Act 1: No. 9, Cinderella dreams of the Ball (Andante dolce)" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on January 10, 1995. The duration of Prokofiev: Cinderella, Op. 87, Act 1: No. 9, Cinderella dreams of the Ball (Andante dolce) is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Prokofiev: Cinderella, Op. 87, Act 1: No. 9, Cinderella dreams of the Ball (Andante dolce)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #9. Based on our statistics, Prokofiev: Cinderella, Op. 87, Act 1: No. 9, Cinderella dreams of the Ball (Andante dolce)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Cinderella, Op. 87, Act 1: No. 9, Cinderella dreams of the Ball (Andante dolce) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2a, Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Frankie Wakefield, Alexander Knox, John Eliot Gardiner | E Minor | 1 | 9A | 137 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato: In Tempo I zurückkehren | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | A♭ Major | 0 | 4B | 84 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato: 3 bars before Wieder ins Tempo zurückgehen. Tempo I | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E♭ Major | 0 | 5B | 76 BPM | ||
Carnival of the Animals: III. Wild Asses | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Minor | 2 | 5A | 127 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Friedenswerke (The Hero's Works of Peace) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | G Major | 0 | 9B | 82 BPM | ||
My Neighbour TOTORO | Joe Hisaishi, London Symphony Orchestra | C Major | 2 | 8B | 130 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato: Nicht eilen. Sehr gemächlich | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | A♭ Minor | 1 | 1A | 143 BPM | ||
Enigma Variations: Variation XIII. Romanza (***) - Moderato | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
Enigma Variations: Variation V. R.P.A - Moderato | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | C Minor | 0 | 5A | 76 BPM | ||
La boîte à joujoux, L. 128: Épilogue | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 91 BPM |
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