Sergei Prokofiev, André Previn, London Symphony Orchestra made "Prokofiev: Cinderella, Op. 87, Act 1: No. 17, Interrupted Departure (Vivo)" available on January 10, 1995. With Prokofiev: Cinderella, Op. 87, Act 1: No. 17, Interrupted Departure (Vivo) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #17. Prokofiev: Cinderella, Op. 87, Act 1: No. 17, Interrupted Departure (Vivo) is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Prokofiev: Cinderella, Op. 87, Act 1: No. 17, Interrupted Departure (Vivo) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coppelia: Act I - Final | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 66 BPM | ||
La Bayadere: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 78 BPM | ||
Across the Stars (Love Theme from "Star Wars: Attack of the Clones") | John Williams, London Symphony Orchestra | C Major | 1 | 8B | 81 BPM | ||
La Bayadere, Act III: 45. "Variation - 2nd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | G Major | 0 | 9B | 175 BPM | ||
L'Oiseau de feu, K010: XII. - XIV. Carillon féérique, apparition des monstres - Arrivée de Kastchei l’immortel - Dialogue de Kastchei avec Ivan Tsarevitch - Intercession des princesses - Apparition de l'oiseau de feu | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B♭ Major | 1 | 6B | 108 BPM | ||
Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | G Minor | 1 | 6A | 105 BPM | ||
Act I: Variation Of Basil & Friends (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 149 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Coppelia: Act II - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Minor | 0 | 7A | 80 BPM |
Section: 0.7774176597595215
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