"L'Oiseau de feu, K010: XII. - XIV. Carillon féérique, apparition des monstres - Arrivée de Kastchei l’immortel - Dialogue de Kastchei avec Ivan Tsarevitch - Intercession des princesses - Apparition de l'oiseau de feu" by Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez was released on 1993. L'Oiseau de feu, K010: XII. - XIV. Carillon féérique, apparition des monstres - Arrivée de Kastchei l’immortel - Dialogue de Kastchei avec Ivan Tsarevitch - Intercession des princesses - Apparition de l'oiseau de feu is about six minutes long, preciously at 5:41, making this song fairly long compared to other songs. There is only one song in ストラヴィンスキー:バレエ《火の鳥》、バレエ《ペトルーシュカ》, so we believe that "L'Oiseau de feu, K010: XII. - XIV. Carillon féérique, apparition des monstres - Arrivée de Kastchei l’immortel - Dialogue de Kastchei avec Ivan Tsarevitch - Intercession des princesses - Apparition de l'oiseau de feu" is a single. In terms of popularity, L'Oiseau de feu, K010: XII. - XIV. Carillon féérique, apparition des monstres - Arrivée de Kastchei l’immortel - Dialogue de Kastchei avec Ivan Tsarevitch - Intercession des princesses - Apparition de l'oiseau de feu is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Oiseau de feu, K010: XII. - XIV. Carillon féérique, apparition des monstres - Arrivée de Kastchei l’immortel - Dialogue de Kastchei avec Ivan Tsarevitch - Intercession des princesses - Apparition de l'oiseau de feu by Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On A Theme By Haydn, Op.56a: Finale: Andante | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 125 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
La boîte à joujoux, L. 128: Épilogue | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 91 BPM | ||
The Soldier's Tale: Part 2: The Devil's Dance | Igor Stravinsky, Michael Henry Flanders, Kitty Black, Jeremy Irons, Robert Craft | G Major | 3 | 9B | 133 BPM | ||
Symphony No. 5, Op. 50: Ib. Adagio | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | G Major | 3 | 9B | 117 BPM | ||
Pines Of Rome | Chicago Symphony Orchestra | F Major | 2 | 7B | 80 BPM | ||
Symphony No. 1 in F Minor, Op. 10: III. Lento - Largo - [Lento] (attacca:) - Live | Dmitri Shostakovich, Chicago Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 102 BPM | ||
Lutoslawski : Concerto for Orchestra : II Cappricio notturno e Arioso (Vivace) | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 158 BPM | ||
Rachmaninov : Rhapsody on a Theme of Paganini Op.43 : VI Variation 11 | Sergei Rachmaninoff, Nikolai Lugansky, Sakari Oramo, City Of Birmingham Symphony Orchestra | D Major | 0 | 10B | 108 BPM | ||
Das Lied von der Erde: Von der Schönheit | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 135 BPM |
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