Hca, Jakob Händel, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim, Florian Heyerick's 'Cassation In B Flat Major Kv 99: Andante' came out on March 28, 2007. The duration of Cassation In B Flat Major Kv 99: Andante is about 3 minutes long, at 3:20. Based on our data, "Cassation In B Flat Major Kv 99: Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Burkhard Glaetzner's "Mozart Edition Volume 22" album is number 10 out of 77. In terms of popularity, Cassation In B Flat Major Kv 99: Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cassation In B Flat Major Kv 99: Andante by Hca, Jakob Händel, Wolfgang Amadeus Mozart, Kurpfälzisches Kammerorchester Mannheim, Florian Heyerick to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ディヴェルティメント第15番 変ロ長調 第1楽章 | Herbert von Karajan, ベルリン フィルハーモニー管弦楽団 | B♭ Minor | 1 | 3A | 94 BPM | ||
La forza del destino, Act III, Scene I: Attenti al gioco, attenti | Giuseppe Verdi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | F Major | 0 | 7B | 172 BPM | ||
Das listige Bauernmädchen: No. 8, Contradance | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
ホルン協奏曲 第3番 変ホ長調 K.447 第2楽章:ロマンツァ.ラルゲット | 千葉馨, NHK Symphony Orchestra | A♭ Major | 0 | 4B | 75 BPM | ||
アイネ・クライネ・ナハトムジーク~第2楽章(モーツァルト) | ベルリン室内管弦楽団 | C Major | 0 | 8B | 81 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Horn Concerto No. 4 in E-flat Major, K. 495: ii. Romanze: Andante cantabile | Mozart, Albert Linder, Hans Swarowsky, Vienna State Opera Orchestra | E♭ Major | 1 | 5B | 95 BPM | ||
6 Hungarian Dances: No. 1. Andante | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 105 BPM | ||
Undine: Act II: Entracte | Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn | E♭ Minor | 0 | 2A | 139 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: IV. Petite Réunion | Franz Burgmüller, Benedikt David | C Major | 2 | 8B | 89 BPM |
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