Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay's '6 Hungarian Dances: No. 1. Andante' came out on January 1, 1994. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 34 in the song's album "Orchestral Music (Hungarian) - Kauer, F. / Csermak, A. / Rozsavolgyi, M. / Weiner, L. (Hungarian Dances)". In this album, this song's track order is #13. In terms of popularity, 6 Hungarian Dances: No. 1. Andante is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Hungarian Dances: No. 1. Andante by Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duo No. 2 for Violin and Viola in D Minor: III. Rondo. Allegro | Carl Stamitz, Gabriela Demeterová | D Major | 1 | 10B | 141 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bouree | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
13:なぐさめ(ブルグミュラー:25の練習曲 作品100) | Friedrich Burgmüller, 伊奈和子 | A♭ Major | 6 | 4B | 95 BPM | ||
25 Études faciles et progressives, Op. 100: No. 6, Progrès | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 124 BPM | ||
Leos Janacek :: Suite for Strings, 3rd movement | Czech Philharmonic Chamber Orchestra | G Major | 1 | 9B | 106 BPM | ||
9:狩(ブルグミュラー:25の練習曲 作品100) | 伊奈和子 | A♭ Major | 6 | 4B | 95 BPM | ||
Sally in Our Alley (arr. for string orchestra) | Frank Bridge, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Medea (Medee) (Sung in Italian): Act II: Introduction | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | F Major | 1 | 7B | 80 BPM | ||
Sinfonia In F Major, Wq. 183/3, H. 665: II. Larghetto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Flute Concerto No. 5 in F Major: IIc. Var. 2, Andante cantabile | Saverio Mercadante, Patrick Gallois, Czech Philharmonic Chamber Orchestra | F Major | 1 | 7B | 83 BPM |
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