Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich's ' "La Simplicite, Polka francaise, Op. 40" was released on its scheduled release date, November 3, 1998. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Strauss, Josef: Edition - Vol. 14". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hong Kong. The popularity of La Simplicite, Polka francaise, Op. 40 is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La Simplicite, Polka francaise, Op. 40 by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die lustige Witwe (The Merry Widow) (arr. R. Hayman): The Merry Widow Waltz | Franz Lehár, Richard Hayman, Richard Hayman Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
Il Barbiere di Siviglia: Overture - Highlights | Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F Major | 3 | 7B | 88 BPM | ||
Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | F Major | 1 | 7B | 81 BPM | ||
" Faust " , Ballettmusik: Nr. 5 Moderato con moto | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | A Major | 0 | 11B | 80 BPM | ||
Sinfonia fantastica | Orchestra Italiana | A Major | 2 | 11B | 179 BPM | ||
Espada Suite: II. Boléro | Jules Massenet, Royal Scottish National Orchestra, Jean-Luc Tingaud | E Minor | 2 | 9A | 133 BPM | ||
Swedish Rhapsody No. 1, Op. 19 'Midsummer Vigil' | Hugo Alfvén, Bournemouth Symphony Orchestra, Paavo Berglund | D Major | 2 | 10B | 101 BPM | ||
Fatinitza Marsch | Johann Strauss Orchester | G Major | 4 | 9B | 123 BPM | ||
Frauenherz, Polka maqur, Op. 166 | Josef Strauss, Budapest Strauss Ensemble, Istvan Bogar | E♭ Major | 0 | 5B | 111 BPM | ||
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM |