Amour malade: Le Damigelle delle Cochette - Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon Information

Acousticness: 97%
Danceability: 18%
Energy: 2%
Instrumentalness: 0%
Liveness: 8%
Loudness: 51%
Speechiness: 4%
Valence: 4%
Popularity: 2%
Loudness: -29.519 dB

Summary

"Amour malade: Le Damigelle delle Cochette" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 24 out of 35. Amour malade: Le Damigelle delle Cochette is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Amour malade: Le Damigelle delle Cochette BPM

We consider the tempo marking of Amour malade: Le Damigelle delle Cochette by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.

Amour malade: Le Damigelle delle Cochette Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Per ogni sorte di strumento musicale diversi generi di sonate, Op. 22: No. 21, Sonata sopra "Fuggi dolente core"	Biagio Marini, London Baroque	F♯ Minor	2	11A	61 BPM
O quam Pulchra	Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX	G Minor	1	6A	74 BPM
Les Indes galantes, Prologue, Scène 2: "Musettes, résonnez..." (Hébé, Choeur) - Musette en rondeau	Jean-Philippe Rameau, Claron McFadden, Les Arts Florissants, William Christie	F♯ Major	1	2B	92 BPM
Concerto in G major Seibel 217: 3. Grave	Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel	B♭ Minor	0	3A	126 BPM
Concerto In D Major, Op.26, No.6: 3. Allegro	Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel	D♭ Major	2	3B	109 BPM
Concert pour quatre parties de violes, H. 545: V. Gigue française	Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations	D♭ Minor	3	12A	98 BPM
Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: VI. Jerusalem	François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants	C Minor	0	5A	76 BPM
Pièces à deux violes du Premier Livre, suite en ré mineur: VI. Gavotte (1686)	Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith	D♭ Minor	2	12A	175 BPM
Trio Sonata No. 1 in G Major: II. Andantino	Domenico Gallo, London Baroque	E♭ Minor	1	2A	82 BPM
Suite in A Minor: III. Courante La Mignonne	Louis Couperin, Laurence Cummings	A♭ Minor	2	1A	131 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6496231555938721

End: 0.6530542373657227