"Les Indes galantes, Prologue, Scène 2: "Musettes, résonnez..." (Hébé, Choeur) - Musette en rondeau" by Jean-Philippe Rameau, Claron McFadden, Les Arts Florissants, William Christie was released on October 14, 1991. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #7. In terms of popularity, Les Indes galantes, Prologue, Scène 2: "Musettes, résonnez..." (Hébé, Choeur) - Musette en rondeau is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes, Prologue, Scène 2: "Musettes, résonnez..." (Hébé, Choeur) - Musette en rondeau by Jean-Philippe Rameau, Claron McFadden, Les Arts Florissants, William Christie having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todes Banden, BWV 4: III. Duetto "Den Tod niemand zwingen kunnt" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan, Maarten Engeltjes | E Major | 4 | 12B | 101 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Les Indes galantes, Première Entrée, Scène 2: "Vaste empire des mers" (Chœur des Matelots) - "Ciel ! de plus d'une mort" (Emilie) | Jean-Philippe Rameau, Miriam Ruggeri, Les Arts Florissants, William Christie | B Minor | 3 | 10A | 112 BPM | ||
O intemerata (Il secondo libro de motetti a due, tre e quattro voci, Venezia, A. Vincenti, 1627) | Philippe Jaroussky, Ensemble Artaserse | F Major | 1 | 7B | 71 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Armide, Act II, Scene 5: "Enfin, il est en ma puissance" (Armide) | Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale | D Minor | 2 | 7A | 141 BPM | ||
Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
Fuga (Prestissimo) | Nicola Matteis, Gli Incogniti, Amandine Beyer | D♭ Major | 2 | 3B | 136 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Madrigals, Book 5: O dolorosa gioia | Carlo Gesualdo, Les Arts Florissants, Paul Agnew | C Minor | 1 | 5A | 77 BPM |
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