Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan, Maarten Engeltjes made "Christ lag in Todes Banden, BWV 4: III. Duetto "Den Tod niemand zwingen kunnt"" available on April 5, 2024. With this song being about 5 minutes long, at 4:42, "Christ lag in Todes Banden, BWV 4: III. Duetto "Den Tod niemand zwingen kunnt"" by Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan, Maarten Engeltjes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Les Arts Florissants, Benjamin Alard's "J. S. Bach: A Life in Music (Vol. 1). Arnstadt & Mühlhausen (1703-1708), Early Cantatas" album is number 3 out of 36. On top of that, France appears to be the country where this track was created. In terms of popularity, Christ lag in Todes Banden, BWV 4: III. Duetto "Den Tod niemand zwingen kunnt" is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Christ lag in Todes Banden, BWV 4: III. Duetto "Den Tod niemand zwingen kunnt" by Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan, Maarten Engeltjes to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ach Gott, wie manches Herzeleid (Chorus) | Johann Sebastian Bach, Dorothee Mields, Pascal Bertin, Gerd Türk, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F Minor | 1 | 4A | 175 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 2, Chor "Mich vom Stricke meiner Sünden" (Chor gläubiger Seelen) | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E Minor | 3 | 9A | 139 BPM | ||
Christ lag in Todesbanden: IVa. Aria "Wir leben nun mit Jesu Christ" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 1 | 12B | 79 BPM | ||
Canzon Francese del Principe | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Concert Royal No. 2 in D: II. Allemande fuguée. Gaiement (Version for 2 Harpsichords) | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
La morte vinta sul calvario: No. 1, Overture | Marc'Antonio Ziani, Pietro Antonio Bernardoni, Les Traversées Baroques, Etienne Meyer | G Minor | 1 | 6A | 105 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée | Johann Sebastian Bach, Il Giardino Armonico, Enrico Onofri, Marco Cera, Paolo Grazzi, Trompeten-Consort Innsbruck, Giovanni Antonini | D♭ Major | 4 | 3B | 114 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM |
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