Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann made "Sonata for Piano 4 Hands in C Major, K. 521: I. Allegro" available on January 1, 2005. Since Sonata for Piano 4 Hands in C Major, K. 521: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann's "Mozart: The Piano Duos & Duets (Complete Mozart Edition)" album is number 7 out of 23. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Sonata for Piano 4 Hands in C Major, K. 521: I. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Sonata for Piano 4 Hands in C Major, K. 521: I. Allegro by Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: XI. Sanctus | Wolfgang Amadeus Mozart, Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Nikolaus Harnoncourt & Concentus musicus Wien, Vienna State Opera Chorus, Nikolaus Harnoncourt, Concentus Musicus Wien | B Major | 1 | 1B | 86 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Sonata for Piano 4 Hands in C Major, K. 521: I. Allegro | Wolfgang Amadeus Mozart, Ingrid Haebler, Ludwig Hoffmann | C Major | 1 | 8B | 146 BPM | ||
Overture (Suite) No. 3 in D Major, BWV 1068: III. Gavotte I and II | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 4 | 10A | 119 BPM | ||
Sonata No. 4 in E flat major Op. 7: 2. Largo con gran espressione | Valentina Lisitsa | C Major | 0 | 8B | 136 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Keyboard Sonata in A Major, Wq. 55/4, H. 186: II. Poco adagio | Carl Philipp Emanuel Bach, Christopher Hinterhuber | F♯ Minor | 0 | 11A | 131 BPM | ||
Piano Trio No. 6 in E-Flat Major, Op. 93: II. Un poco larghetto | Johann Nepomuk Hummel, Gould Piano Trio | B Major | 0 | 1B | 79 BPM |
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