Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra made "Madama Butterfly: Entrance of Butterfly" available on 1969. The duration of Madama Butterfly: Entrance of Butterfly is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Madama Butterfly: Entrance of Butterfly's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Puccini Without Words". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Madama Butterfly: Entrance of Butterfly's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Madama Butterfly: Entrance of Butterfly by Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Love Me with All Your Heart | Andre Kostelanetz & His Orchestra | D Major | 4 | 10B | 99 BPM | ||
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Anton Dikov, Sofia Philharmonic Orchestra, Emil Tabakov | D♭ Major | 0 | 3B | 62 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 0 | 7B | 82 BPM | ||
E l'uccellino | Giacomo Puccini, Tine Thing Helseth, Kathryn Stott | A Major | 0 | 11B | 110 BPM | ||
Melodies of the Heart, Op. 5: No. 3, I Love But Thee (Arr. A. Harris for Orchestra) - Dig elsker jeg! (Thee, I Love!) | Edvard Grieg, Andre Kostelanetz, Columbia Symphony Orchestra | D Major | 3 | 10B | 87 BPM | ||
Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Habanera) | Georges Bizet, BBC Concert Orchestra, Barry Wordsworth | D Major | 1 | 10B | 127 BPM | ||
Madame Butterfly - Grosser Querschnitt: Eines Tages seh'n wir uns wieder | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | B Minor | 7 | 10A | 112 BPM |
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