"Melodies of the Heart, Op. 5: No. 3, I Love But Thee (Arr. A. Harris for Orchestra) - Dig elsker jeg! (Thee, I Love!)" by Edvard Grieg, Andre Kostelanetz, Columbia Symphony Orchestra was released on 1957. The duration of Melodies of the Heart, Op. 5: No. 3, I Love But Thee (Arr. A. Harris for Orchestra) - Dig elsker jeg! (Thee, I Love!) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Melodies of the Heart, Op. 5: No. 3, I Love But Thee (Arr. A. Harris for Orchestra) - Dig elsker jeg! (Thee, I Love!)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 17 in Dinner Classics: Romance by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Melodies of the Heart, Op. 5: No. 3, I Love But Thee (Arr. A. Harris for Orchestra) - Dig elsker jeg! (Thee, I Love!) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Melodies of the Heart, Op. 5: No. 3, I Love But Thee (Arr. A. Harris for Orchestra) - Dig elsker jeg! (Thee, I Love!) by Edvard Grieg, Andre Kostelanetz, Columbia Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Lyric Pieces Book I, Op. 12: No. 1 Arietta | Edvard Grieg, Emil Gilels | E♭ Major | 0 | 5B | 130 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM |
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