"Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso" by Ludwig van Beethoven, Anton Dikov, Sofia Philharmonic Orchestra, Emil Tabakov had its release date on January 1, 1989. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 37 in Beethoven Masterpieces, Vols. 1-5 by Ludwig van Beethoven, Various Artists, Emil Tabakov, Herbert Kegel, György Gyorivanyi-Rath, Alfred Scholz, Tamas Pal, Siegfried Kurz, Georgi Robev, Herbert Blomstedt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso by Ludwig van Beethoven, Anton Dikov, Sofia Philharmonic Orchestra, Emil Tabakov is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelle in A Minor, WoO 59 "Für Elise" (Arr. W. Smith for Orchestra) | Ludwig van Beethoven, William Smith, Philadelphia Orchestra | E♭ Major | 2 | 5B | 89 BPM | ||
Grieg: Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | C Minor | 2 | 5A | 65 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Deh, vieni alla finestra | Dawid Kimberg | D Major | 0 | 10B | 69 BPM | ||
Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 130 BPM | ||
Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Suite Bergamasque, L. 75: III. Clair de lune | Claude Debussy, Charlie Siem, Paul Goodwin | D♭ Major | 1 | 3B | 61 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | G Major | 0 | 9B | 60 BPM |