"Grieg: Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song" by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra was released on October 13, 2000. With this song being about 5 minutes long, at 5:25, "Grieg: Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song" by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Sakari Oramo & City of Birmingham Symphony Orchestra, Sakari Oramo, City Of Birmingham Symphony Orchestra's "Grieg : Peer Gynt Suites 1, 2 & Symphonic Dances" album is number 8 out of 13. On top of that, France appears to be the country where this track was created. Grieg: Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Lyric Pieces, Op. 12: No. 1, Arietta (arr. V. Godar) | Vladimír Godár, Edvard Grieg, Takako Nishizaki, Jenő Jandó | E♭ Major | 2 | 5B | 98 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Seiji Ozawa, Orchestre National De France | E♭ Major | 0 | 5B | 74 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Ellens Gesang III, Op. 52, No.6, D 839: Ave Maria In B Flat Major (Arr. For Violin And Piano) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov | C Major | 1 | 8B | 95 BPM | ||
Holberg Suite, Op.40: 4. Air (Andante religioso) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 67 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto" - Arr. Iva Davies, Christopher Gordon & Richard Tognetti: Adagio | Christopher Gordon | E♭ Major | 1 | 5B | 129 BPM | ||
Bizet: Carmen, Act 3: Entreacte | Georges Bizet, Berliner Philharmoniker, Sir Simon Rattle | E♭ Major | 0 | 5B | 141 BPM | ||
Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM |
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