"Requiem: Sanctus" by Franz von Suppé, Wolfgang Badun, Jugendsinfonieorchester de Bonn, Ouliana Tchaikowski, Danielle Michèle, Gilles Vitale, Jean-Louis Bindi, Bernard Lallement, Chorale franco-allemande de Paris was released on October 15, 2002. The duration of Requiem: Sanctus is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Requiem: Sanctus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 13 in Franz von Suppè: Requiem pour soli choeur et orchestre by Franz von Suppé, Jugendsinfonieorchester de Bonn, Wolfgang Badun, Chorale franco-allemande de Paris. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Requiem: Sanctus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: Sanctus by Franz von Suppé, Wolfgang Badun, Jugendsinfonieorchester de Bonn, Ouliana Tchaikowski, Danielle Michèle, Gilles Vitale, Jean-Louis Bindi, Bernard Lallement, Chorale franco-allemande de Paris is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 2, Allegro tranquillo e grazioso | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | E Major | 1 | 12B | 73 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): III. Danse collective | Alexander Borodin, Anima Eterna, Jos Van Immerseel | D Major | 2 | 10B | 104 BPM | ||
The Haunting Hour | Emiliano Branda | B♭ Major | 2 | 6B | 151 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Poet and Peasant: Overture - Instrumental | Franz von Suppé, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 89 BPM |
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