"La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz)" by Giacomo Puccini, Eva Mei, Paolo Gavanelli, Giorgio Gatti, Barbara Frittoli, Andrea Bocelli, Natale de Carolis, Mario Luperi, Israel Philharmonic Orchestra, Zubin Mehta was released on January 1, 2000. With this song being about 5 minutes long, at 5:16, "La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz)" by Giacomo Puccini, Eva Mei, Paolo Gavanelli, Giorgio Gatti, Barbara Frittoli, Andrea Bocelli, Natale de Carolis, Mario Luperi, Israel Philharmonic Orchestra, Zubin Mehta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 36 in the song's album "Puccini: La Bohème". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Italy. La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) by Giacomo Puccini, Eva Mei, Paolo Gavanelli, Giorgio Gatti, Barbara Frittoli, Andrea Bocelli, Natale de Carolis, Mario Luperi, Israel Philharmonic Orchestra, Zubin Mehta having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Samson et Dalila, Op. 47, Act II, Scene 3: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, José Cura, Olga Borodina, London Symphony Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..." | Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia Ciofi | G Major | 1 | 9B | 134 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
Don Giovanni, K.527 / Act 1: "Madamina, il catalogo è questo" | Wolfgang Amadeus Mozart, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado | D Major | 2 | 10B | 90 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Puccini: Gianni Schicchi - O, mio babbino caro | Kiri Te Kanawa, Stephen Barlow, London Symphony Orchestra | A♭ Major | 2 | 4B | 97 BPM |
Section: 0.6788947582244873
End: 0.6825082302093506