"Aniara: Act I Scene 3: Mimaband 1" by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg was released on January 1, 2002. Since Aniara: Act I Scene 3: Mimaband 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 18 out of 42 in Aniara by Karl-Birger Blomdahl, Stig Westerberg. Aniara: Act I Scene 3: Mimaband 1 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aniara: Act I Scene 3: Mimaband 1 by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite from "Pelléas et Mélisande", Op. 46: IV. A Spring in the Park | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | D Minor | 0 | 7A | 88 BPM | ||
Concerto grosso: II. Andante | Karl-Birger Blomdahl, Helsingborg Symphony Orchestra, Stig Westerberg | D Major | 0 | 10B | 63 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
The Yurg / The Mimarobe | Karl-Birger Blomdahl | G Major | 4 | 9B | 74 BPM | ||
Mathis Der Maler, 6th Tableau, Scene 1: Der liebste Vater, eer verstand mich (Regina/Mathis) | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Minor | 0 | 6A | 87 BPM | ||
Schoenberg: Gurre-Lieder, Melodram: "Seht die Sonne farbenfroh am Himmelssaum" (Chorus) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | F Major | 3 | 7B | 86 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Carmina Burana / I. Primo vere: "Omnia Sol temperat" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM |
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