George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis made "Messiah, HWV 56 / Pt. 1: And The Glory Of The Lord" available on January 1, 2013. The duration of Messiah, HWV 56 / Pt. 1: And The Glory Of The Lord is about 3 minutes long, at 3:05. Based on our data, "Messiah, HWV 56 / Pt. 1: And The Glory Of The Lord" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #4. Based on our statistics, Messiah, HWV 56 / Pt. 1: And The Glory Of The Lord's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Messiah, HWV 56 / Pt. 1: And The Glory Of The Lord by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Three Kings (Arr. Ivor Atkins) | Peter Cornelius, Choir of King's College, Cambridge, Henry Hawkesworth, Stephen Cleobury | G Major | 1 | 9B | 100 BPM | ||
Concerto grosso in G minor, Op. 6, No. 8 "fatto per la notte di Natale": 2. Adagio - Allegro - Adagio | Arcangelo Corelli, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 124 BPM | ||
Messiah: Part 3, If God be for us, who can be against us? (Air, soprano) | The Sixteen | B Major | 2 | 1B | 82 BPM | ||
Vom Himmel hoch: VI. Schlusschor "Lob, ehr sei Gott im höchsten Thron" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Major | 2 | 8B | 92 BPM | ||
Messiah / Part 1: "This said the Lord... But who may abide..." | George Frideric Handel, Gwynne Howell, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 130 BPM | ||
Czech Christmas Mass, "Hail, Master!": Sanctus | Jakub Jan Ryba, Dagmar Vankatova, Pavla Ksicova, Vladimir Dolezal, Václav Sibera, Josef Ksica, Czech Madrigalists Choir, Czech Madrigalists Orchestra, František Xaver Thuri | G Major | 1 | 9B | 91 BPM | ||
How shall I fitly meet thee? | Johann Sebastian Bach, Choir of King's College, Cambridge, Daniel Hyde | C Minor | 1 | 5A | 68 BPM | ||
Messiah, HWV 56: Part 2 Scene 5: No. 44 Chorus | George Frideric Handel, Trinity Church Choir, New York, Trinity Church Orchestra, Owen Burdick | F Minor | 2 | 4A | 89 BPM | ||
Jesu, Joy of Man's Desiring | The Tabernacle Choir at Temple Square | C Major | 1 | 8B | 77 BPM | ||
3 Small Tone Poems: No. 2. Winter Night, "Sleigh Ride" | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 92 BPM |
Section: 0.6403143405914307
End: 0.6487250328063965