"Adeste Fideles (O come, all ye faithful)" by Choir of King's College, Cambridge, David Briggs, Stephen Cleobury was released on January 1, 2013. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 25 in Carols From Cambridge: The Very Best Sacred Christmas Carols by Choir of King's College, Cambridge, Choir of Clare College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Adeste Fideles (O come, all ye faithful)'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adeste Fideles (O come, all ye faithful) by Choir of King's College, Cambridge, David Briggs, Stephen Cleobury is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goodenough: Psalm CL: O Praise God in His Holiness | Robert Philip Goodenough, Choir of King's College, Cambridge, Sir David Willcocks | G Major | 2 | 9B | 78 BPM | ||
Traditional: Good King Wenceslas (Tune based on a 13th-Century Spring Carol) | Huddersfield Choral Society, Brian Kay, David Bell, Owain Arwel Hughes | A Major | 1 | 11B | 81 BPM | ||
Messiah HWV56, PART 1: O thou that tellest (alto air: Andante) | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Alice Coote | D♭ Major | 1 | 3B | 87 BPM | ||
O Come All Ye Faithful | John Wade, Choir of King's College, Cambridge, Stephen Cleobury, David Goode | G Major | 2 | 9B | 134 BPM | ||
Hark! The Herald Angels Sing | Choir of King's College, Cambridge, Andrew Davis, Sir David Willcocks | G Major | 3 | 9B | 75 BPM | ||
Quand Dieu naquit à Noël | Michel Corrette, Les Musiciens De Saint-Julien, François Lazarevitch, Maîtrise de Radio France, Sofi Jeannin | F♯ Major | 1 | 2B | 91 BPM | ||
Lo, How a Rose E'er Blooming | Michael Praetorius, Jan Sandström, Elora Festival Singers, Noel Edison | F Major | 0 | 7B | 75 BPM | ||
Silent Night | The City of Prague Philharmonic Orchestra, Crouch End Festival Chorus | F Major | 3 | 7B | 94 BPM | ||
Coventry Carol | XV Century, anonymous, Choir of King's College, Cambridge, Stephen Cleobury | G Minor | 0 | 6A | 75 BPM | ||
Away in a Manger | The Cathedral Singers | G Major | 2 | 9B | 79 BPM |
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