- BPM
- 85
- Key
- E Minor
- Camelot
- 9A
Messiah, HWV 56 / Pt. 1: Glory To God - George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis Information
- Acousticness
- 100%
- Danceability
- 25%
- Energy
- 13%
- Instrumentalness
- 74%
- Liveness
- 10%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 15%
- Loudness
- -20.829 dB
Summary
"Messiah, HWV 56 / Pt. 1: Glory To God" by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis was released on January 1, 2013. The duration of Messiah, HWV 56 / Pt. 1: Glory To God is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Messiah, HWV 56 / Pt. 1: Glory To God's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Messiah, HWV 56 / Pt. 1: Glory To God is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Messiah, HWV 56 / Pt. 1: Glory To God BPM
With Messiah, HWV 56 / Pt. 1: Glory To God by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
Messiah, HWV 56 / Pt. 1: Glory To God Key
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fürchtet euch nicht | Johann Michael Bach, Capella Sancti Michaëlis, Ricercar Consort | G Major | 1 | 9B | 137 BPM | |
 | A Ceremony of Carols, Op. 28: V. As Dew in Aprille | Benjamin Britten, The Choir Of Trinity College, Cambridge | A♭ Major | 0 | 4B | 84 BPM | |
 | Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Annick Massis, Magdalena Kozená, Eric Huchet, Patrick Henckens, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | C Major | 2 | 8B | 96 BPM | |
 | Traditional: "A spotless rose" | Traditional, Choir of King's College, Cambridge, Philip Ledger | B Minor | 1 | 10A | 82 BPM | |
 | A Spotless Rose | Herbert Howells, James Shaffran, The Choral Arts Society Of Washington, The Choral Arts Society of Washington Orchestra, Norman Scribner | F♯ Minor | 1 | 11A | 111 BPM | |
 | The Holly & The Ivy | Anonymous, The Choir of Royal Holloway | C Minor | 2 | 5A | 87 BPM | |
 | Nativity Carol | John Rutter, City of London Sinfonia, The Cambridge Singers | D Major | 0 | 10B | 84 BPM | |
 | Messiah, HWV 56 / Pt. 1: And The Angel Said Unto Them | George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis, Felicity Lott | A Major | 1 | 11B | 86 BPM | |
 | What Sweeter Music? | Tenebrae, Nigel Short, James Sherlock | F♯ Major | 0 | 2B | 118 BPM | |
 | Ave Maria | Ave Sol Chamber Choir | A Minor | 1 | 8A | 125 BPM |
- ISRC
- USSP39847015
- Label
- L-M Records/RCA Records
Section: 0.5859882831573486
End: 0.5923278331756592