- BPM
- 125
- Key
- A Minor
- Camelot
- 8A
Ave Maria - Ave Sol Chamber Choir Information
- Acousticness
- 99%
- Danceability
- 19%
- Energy
- 9%
- Instrumentalness
- 3%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 3%
- Popularity
- 18%
- Loudness
- -21.708 dB
Summary
"Ave Maria" by Ave Sol Chamber Choir was released on June 16, 2009. The duration of Ave Maria is about 3 minutes long, at 3:21. Based on our data, "Ave Maria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 32 out of 38 in Bruckner - Selected Works by Various Artists. Based on our statistics, Ave Maria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Maria BPM
The tempo marking of Ave Maria by Ave Sol Chamber Choir is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Ave Maria Key
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Purcell: I Was Glad, Z. 19 | Henry Purcell, Chanticleer, Capriccio Stravagante, Olivier Fortin, Joseph Jennings, Skip Sempé | G Major | 0 | 9B | 126 BPM | |
 | Gloriana, Op. 53: Choral Dances: No. 5. Rustics and Fishermen | Benjamin Britten, The Cambridge Singers, John Rutter | G Major | 2 | 9B | 80 BPM | |
 | Messiah: Part 1, Comfort ye, my people (Accompagnato, Tenor) | The Sixteen | B♭ Major | 1 | 6B | 85 BPM | |
 | How Beautiful Are The Feet - Live | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | G Minor | 0 | 6A | 87 BPM | |
 | Ave Maris Stella | Edvard Grieg, The Sixteen, Harry Christophers | G Major | 1 | 9B | 136 BPM | |
 | Tallis: Canon | Thomas Tallis, Libera, Fiona Pears, The City of Prague Philharmonic Orchestra, Robert Prizeman | A♭ Major | 2 | 4B | 144 BPM | |
 | Ave Maria: Arr. From Bach's Prelude No.1 BWV 846 | Charles Gounod, Plácido Domingo, Luisa Domingo, Orchestra Sinfonica di Milano Giuseppe Verdi, Marcello Viotti | F Major | 3 | 7B | 154 BPM | |
 | Vom Himmel hoch: VI. Schlusschor "Lob, ehr sei Gott im höchsten Thron" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Major | 2 | 8B | 92 BPM | |
| Messiah: Part 1, For unto us a child is born (Chorus) | The Sixteen | F♯ Major | 3 | 2B | 104 BPM | |
 | Bach, JS: Weihnachtsoratorium, BWV 248, Pt. 1: No. 1, Chor. "Jauchzet, frohlocket, auf, preiset die Tage" | Johann Sebastian Bach, Ton Koopman, Amsterdam Baroque Orchestra | C Minor | 0 | 5A | 122 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8284916877746582
End: 0.8322501182556152