London Philharmonic Orchestra's 'Hallelujah!' came out on May 28, 2018. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in London Philharmonic Orchestra's "Handel's Messiah" album is number 5 out of 7. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Hallelujah! is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hallelujah! by London Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah: Part 2, Hallelujah! (Chorus) | The Sixteen | D♭ Major | 4 | 3B | 105 BPM | ||
Silent Night | Franz Xaver Gruber, The Cambridge Singers, City of London Sinfonia, John Rutter | B Major | 0 | 1B | 67 BPM | ||
O Come All Ye Faithful | John Wade, Choir of King's College, Cambridge, Stephen Cleobury, David Goode | G Major | 2 | 9B | 134 BPM | ||
Anvil Chorus from Il Trovatore | Giuseppe Verdi, The Tabernacle Choir at Temple Square, Eugene Ormandy, Philadelphia Orchestra | G Major | 4 | 9B | 123 BPM | ||
Break forth, O beauteous heavenly light | Johann Sebastian Bach, Stephen Cleobury, Donal McCann, Choir of King's College, Cambridge | G Major | 2 | 9B | 76 BPM | ||
This Marriage | Eric Whitacre, BYU Singers, Ronald Staheli | D♭ Minor | 1 | 12A | 126 BPM | ||
All Bells in Paradise | John Rutter, The Cambridge Singers, Royal Philharmonic Orchestra | D Major | 1 | 10B | 84 BPM | ||
Heavenly Father (Ave Maria, Op. 52 No. 6, D. 839) | Franz Schubert, Mormon Tabernacle Choir, Jerold D. Ottley, Columbia Symphony Orchestra | B♭ Major | 1 | 6B | 85 BPM | ||
Overture | The Tabernacle Choir at Temple Square, Orchestra at Temple Square | C Major | 4 | 8B | 67 BPM | ||
Worthy Is Lamb That Was Slain…Amen | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | D Major | 3 | 10B | 103 BPM |
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