"Ave Maria" by Percy B. Kahn, Enrico Caruso was released on 1990. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Ave Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria by Percy B. Kahn, Enrico Caruso is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
Lucia di Lammermoor, Act II: Piange la madre estinta | Gaetano Donizetti, Stefano Antonucci, Zuzana Markova, Marcello Nardis, Mariano Buccino, Carlotta Vichi, Andrea Bocelli, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 5 | 10B | 78 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 1) Entr'acte and Waltz With Chorus. "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | ||
Capuleti E I Montecchi, Act I: Se Romeo T'uccise Un Figlio | Felice Romani, Latvian National Symphony Orchestra, Elina Garanca, Vincenzo Bellini | G Major | 1 | 9B | 74 BPM | ||
Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Der Vogelfänger bin ich ja" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | G Major | 3 | 9B | 80 BPM | ||
Adriana Lecouvreur (1997 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Philharmonia Orchestra, Tullio Serafin | A♭ Major | 1 | 4B | 80 BPM | ||
Bizet: Carmen, Act 1: "Près des remparts de Séville" (Seguédille) [Carmen] | Georges Bizet, Maria Callas, Georges Prêtre, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 83 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM |
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