"Dum transisset sabbatum" by John Taverner, Craig Phillips, The Choir of Saint Thomas Church, John Scott was released on 2006. Dum transisset sabbatum is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The song is number 5 out of 16 in Easter on Fifth Avenue by The Choir of Saint Thomas Church, Jeremy Bruns, Saint Thomas Brass, John Scott. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Dum transisset sabbatum is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dum transisset sabbatum by John Taverner, Craig Phillips, The Choir of Saint Thomas Church, John Scott is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Io parto e non piu dissi | Carlo Gesualdo, Ensemble Métamorphoses, Maurice Bourbon | A Minor | 0 | 8A | 80 BPM | ||
Tenebrae Responsories, Feria quinta: I. In monte Oliveti | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 80 BPM | ||
Cherubic Hymn No. 4 | SOFIA ORTHODOX CHOIR | B♭ Major | 1 | 6B | 79 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | ||
Alma Redemptoris Mater | Hildegard von Bingen, Sequentia, Barbara Thornton | F Major | 1 | 7B | 80 BPM | ||
When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM | ||
Canon a 3 voc. in unisono, Cantio Sacra | Samuel Scheidt, The Royal Wind Music, Paul Leenhouts | B♭ Minor | 0 | 3A | 80 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM |
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