Woodland Sketches, Op. 51: No. 7, From Uncle Remus
Edward MacDowell, Alan Mandel
MacDowell: Piano Sonatas Nos. 2-4, Sea Pieces, Sonata Tragica, & Woodland Sketches
1:13 September 28, 2000
BPM
117
Key
F Major
Camelot
7B

Embed

Share Link

Woodland Sketches, Op. 51: No. 7, From Uncle Remus - Edward MacDowell, Alan Mandel Information

Acousticness
100%
Danceability
43%
Energy
12%
Instrumentalness
88%
Liveness
11%
Loudness
60%
Speechiness
4%
Valence
48%
Popularity
Loudness
-24.006 dB

Summary

Edward MacDowell, Alan Mandel made "Woodland Sketches, Op. 51: No. 7, From Uncle Remus" available on September 28, 2000. With Woodland Sketches, Op. 51: No. 7, From Uncle Remus being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Edward MacDowell, Alan Mandel's "MacDowell: Piano Sonatas Nos. 2-4, Sea Pieces, Sonata Tragica, & Woodland Sketches" album is number 7 out of 32. In terms of popularity, Woodland Sketches, Op. 51: No. 7, From Uncle Remus is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Woodland Sketches, Op. 51: No. 7, From Uncle Remus BPM

We consider the tempo marking of Woodland Sketches, Op. 51: No. 7, From Uncle Remus by Edward MacDowell, Alan Mandel to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Woodland Sketches, Op. 51: No. 7, From Uncle Remus Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Ponce: Estrellita by Manuel Ponce, Cocomi, 佐藤晴真, Miyuji KanekoPonce: EstrellitaManuel Ponce, Cocomi, 佐藤晴真, Miyuji KanekoE Major112B78 BPM
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) by Franz Liszt, Daniel Barenboim6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso)Franz Liszt, Daniel BarenboimB Major01B69 BPM
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 by Felix Mendelssohn, Péter NagyLieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2Felix Mendelssohn, Péter NagyF♯ Minor111A166 BPM
Cello Sonata, FP 143: Cavatine: Tres calme by Francis Poulenc, Françoise Groben, Alexandre TharaudCello Sonata, FP 143: Cavatine: Tres calmeFrancis Poulenc, Françoise Groben, Alexandre TharaudB♭ Minor03A122 BPM
Three Romances, Op. 11: No. 1 in E-Flat Minor, Andante by Clara Schumann, Sara CostaThree Romances, Op. 11: No. 1 in E-Flat Minor, AndanteClara Schumann, Sara CostaE♭ Minor12A134 BPM
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto by Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: LarghettoCarl Maria von Weber, Frederieke Saeijs, Nino GvetadzeB♭ Major06B83 BPM
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso by Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno KevehaziWind Quintet in E-Flat Major, Hess 19: II. Adagio maestosoLudwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno KevehaziE♭ Major05B62 BPM
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsLove's Labour's Lost, Op. 28a: III. Dumaine's PoemGerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard GriffithsG Minor16A105 BPM
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento by César Franck, Jean-Pierre ArmengaudPrélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. LentoCésar Franck, Jean-Pierre ArmengaudF♯ Major02B112 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6147351264953613

End: 0.6273045539855957