Nico Dostal, Stuttgart Philharmonic Orchestra, Fritz Mareczek, Friederike Sailer, Fritz Wunderlich's 'Monika: Ein Walzer zu zweien' came out on September 1, 2010. The duration of Monika: Ein Walzer zu zweien is about 3 minutes long, at 3:18. Based on our data, "Monika: Ein Walzer zu zweien" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 32 in Beliebte Operettenmelodien by Various Artists. Monika: Ein Walzer zu zweien is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Monika: Ein Walzer zu zweien by Nico Dostal, Stuttgart Philharmonic Orchestra, Fritz Mareczek, Friederike Sailer, Fritz Wunderlich is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lehár: Giuditta, Tableau 4: "Meine Lippen, sie küssen so heiss" (Giuditta) | Franz Lehár, Lucia Popp, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 79 BPM | ||
Die ungarische Hochzeit, Akt I: "Michael" | Nico Dostal, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Herta Talmar, Ruth Zillger, Willy Hofmann, Lissy Niemz, Jürgen Goslar | E♭ Major | 2 | 5B | 127 BPM | ||
Otello: Oh Dio! Qual mal strepito è questo! | Gioachino Rossini, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Die ungarische Hochzeit, Act III: Dialogue: Das ist wieder ein Fressen für die Hofschranzen! | Nico Dostal, Jevgenij Taruntsov, Wolfgang Gerold, Gerhard Balluch, Giuseppe Preims, Regina Riel, Rita Peterl | D♭ Major | 1 | 3B | 70 BPM | ||
Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM | ||
Im süßen Traum, Op. 31 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM | ||
Non so più cosa son (Le nozze di Figaro) | Hilde Gueden, London Symphony Orchestra | E♭ Major | 1 | 5B | 111 BPM | ||
Clivia: "Sie sind mir so sympatisch" (Lelio, Jola) | Nico Dostal, Hamburger Rundfunkorchester, Wilhelm Stephan, Gerd Martienzen, Maria Madlen Madsen | B♭ Major | 6 | 6B | 130 BPM | ||
Manon, Act II: En fermant les yeux - Remastered 2024 | Jules Massenet, Raphael Arié, London Symphony Orchestra, Josef Krips | D Major | 1 | 10B | 80 BPM | ||
Viktoria und ihr Husar: Pardon, Madame | Paul Abraham, Willy Schneider, Herta Talmar, Rita Bartos, John Hoffmann'S, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | F♯ Major | 2 | 2B | 100 BPM |
Section: 0.7313399314880371
End: 0.7365784645080566