Paul Abraham, Willy Schneider, Herta Talmar, Rita Bartos, John Hoffmann'S, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek's 'Viktoria und ihr Husar: Pardon, Madame' came out on January 1, 1993. With Viktoria und ihr Husar: Pardon, Madame being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Viktoria und ihr Husar - Die Blume von Hawaii - Frau Luna by Rita Bartos, Willy Hofmann, Sandor Konya, Bibi Johns, Margot Eskens, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek. The song's track number on the album is #11 out of 34 tracks. In terms of popularity, Viktoria und ihr Husar: Pardon, Madame is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Viktoria und ihr Husar: Pardon, Madame by Paul Abraham, Willy Schneider, Herta Talmar, Rita Bartos, John Hoffmann'S, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek has a tempo of 100 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Viktoria und ihr Husar: Pardon, Madame being at 100 BPM, the half-time would be 50 BPM with a double-time of 200 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonne über der Adria | René Carol | D♭ Major | 3 | 3B | 92 BPM | ||
Viktoria und ihr Husar, Act I: Act I: Ungarland, Donauland, Heimatland, wie sehn' ich mich nach dir (Janczi, Riquette) | Paul Abraham, Andreas Sauerzapf, Katrin Fuchs, Morbisch Festival Orchestra, David Levi | A Minor | 3 | 8A | 152 BPM | ||
Liv du är ej längre en Mystär | Victor Herbert, Gösta Stevens, Axel Astrom, Fritz Stenfelt, Sven Algot Sandberg, Bickvor, Paul Abraham, Oscar Ralf, Adrian Dahl, Johnny Bode, Bronisław Kaper, Michael Christgau- Dardanell, Prins Gustaf, Jussi Björling, Sven Lindström, Royal Swedish Opera Orchestra, Nils Grevillius | D Major | 2 | 10B | 79 BPM | ||
Le Roi D'ys - Vainement Ma Bien Aimee | Miguel Fleta | A Major | 2 | 11B | 70 BPM | ||
Ball at the Savoy, Act II Scene 2 (Sung in English) [Arr. A. Barrese, M. Grimminger & H. Hagedorn]: We Turks Are All Polygamied Out | Paul Abraham, Ryan Trent Oldham, Rose Guccione, Shawn Morgenlander, Gillian Hollis, Gretchen Adams, Chicago Folks Operetta, Anthony Barrese | B Minor | 7 | 10A | 129 BPM | ||
Arie 'Dunkelrote Rosen' aus 'Gasparone' von C.Milloecker | Martin Frank | C Major | 5 | 8B | 89 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Phonix, Op. 105: Phonix-Marsch, Op. 105 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 5 | 5B | 108 BPM | ||
Der Überzieher - Original 1925 Remastered | Otto Reutter | E♭ Major | 3 | 5B | 84 BPM | ||
Muchacha | Vico Torriani | A Major | 5 | 11B | 129 BPM |
Section: 0.5338988304138184
End: 0.5373742580413818