On October 23, 1998, the song "Phonix, Op. 105: Phonix-Marsch, Op. 105" was released by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich. The duration of Phonix, Op. 105: Phonix-Marsch, Op. 105 is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Phonix, Op. 105: Phonix-Marsch, Op. 105's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Strauss, Josef: Edition - Vol. 13". In this album, this song's track order is #1. In terms of popularity, Phonix, Op. 105: Phonix-Marsch, Op. 105 is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Phonix, Op. 105: Phonix-Marsch, Op. 105 by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in G Minor, Op. 131: II. Adagio quasi andante | Benjamin Godard, Chloë Hanslip, Slovak State Philharmonic Orchestra, Kosice, Kirk Trevor | D Major | 1 | 10B | 167 BPM | ||
Das große Tor von Kiew | Modest Mussorgsky, Brass Band Fröschl Hall, Hannes Buchegger | E♭ Major | 3 | 5B | 74 BPM | ||
Ungarischer Tanz Nr. 5 | Johannes Brahms, Stadtmusikkapelle Kufstein, Bernhard Sieberer | G Minor | 5 | 6A | 95 BPM | ||
Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
喜歌劇「天国と地獄」 - カンカン | Jacques Offenbach, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 6 | 10B | 158 BPM | ||
Romeo and Juliet Suite No. 2, Op. 64ter: I. Montagues and Capulets (excerpt) | Sergei Prokofiev, Slovak State Philharmonic Orchestra, Kosice, Andrew Mogrelia | C Major | 2 | 8B | 99 BPM | ||
Capriccio espagnol, Op. 34: Alborada: Vivo e strepitoso | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Keith Clark | A Minor | 2 | 8A | 92 BPM | ||
Step By Step | Byron McKay | G Major | 1 | 9B | 142 BPM | ||
Marche funèbre in A Minor, Op. 103, MWV P14 - Arr. for Brass Instruments | Felix Mendelssohn, Les Cuivres Français, Michel Becquet | E♭ Major | 0 | 5B | 77 BPM | ||
La Bayadere: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 99 BPM |
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