Nico Dostal, Jevgenij Taruntsov, Wolfgang Gerold, Gerhard Balluch, Giuseppe Preims, Regina Riel, Rita Peterl's 'Die ungarische Hochzeit, Act III: Dialogue: Das ist wieder ein Fressen für die Hofschranzen!' came out on June 24, 2016. The duration of Die ungarische Hochzeit, Act III: Dialogue: Das ist wieder ein Fressen für die Hofschranzen! is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Die ungarische Hochzeit, Act III: Dialogue: Das ist wieder ein Fressen für die Hofschranzen!'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 41 in Dostal: Die ungarische Hochzeit by Nico Dostal, Jevgenij Taruntsov, Thomas Zisterer, Franz Lehar Orchestra, Marius Burkert. Die ungarische Hochzeit, Act III: Dialogue: Das ist wieder ein Fressen für die Hofschranzen! is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Die ungarische Hochzeit, Act III: Dialogue: Das ist wieder ein Fressen für die Hofschranzen! by Nico Dostal, Jevgenij Taruntsov, Wolfgang Gerold, Gerhard Balluch, Giuseppe Preims, Regina Riel, Rita Peterl is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Guerra e pace (Film Music Suite): Valzer | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 1 | 10B | 132 BPM | ||
The Mikado: So Please You Sir | Lesley Garrett, Mark Richardson, Richard van Allan, Susan Bullock | E♭ Major | 2 | 5B | 109 BPM | ||
Durch Berlin fliesst immer noch die Spree | Jean Gilbert, Hermann Prey, Wannsee-Sanger, Cologne Radio Orchestra, Heinz Geese | C Major | 2 | 8B | 116 BPM | ||
Serenadi - Ständchen | Franz Schubert, Matti Salminen, George de Godzinsky, Studio Orchestra | A Major | 2 | 11B | 82 BPM | ||
Kitkat katkat | Axel Tornudd, Stockholms Studentsångare, Einar Ralf | G Major | 3 | 9B | 182 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Sulla tomba che rinserra il tradito genitore" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Agnes Giebel/Paul Kuen/Marcel Cordes/Chor des Westdeutschen Rundfunks/Children's Choir/Kölner Rundfunk-Sinfonie-Orchester/Wolfgang Sawallisch, Marcel Cordes, Wolfgang Sawallisch, Kölner Rundfunk-Sinfonie-Orchester | G Minor | 1 | 6A | 77 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM |
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