"Les Indes galantes, Prologue, Scène 5: Air pour les amants qui suivent Bellone - "Vous nous abandonnez" (Chœur)" by Jean-Philippe Rameau, Les Arts Florissants, William Christie was released on October 14, 1991. With Les Indes galantes, Prologue, Scène 5: Air pour les amants qui suivent Bellone - "Vous nous abandonnez" (Chœur) being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #10. Les Indes galantes, Prologue, Scène 5: Air pour les amants qui suivent Bellone - "Vous nous abandonnez" (Chœur) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes, Prologue, Scène 5: Air pour les amants qui suivent Bellone - "Vous nous abandonnez" (Chœur) by Jean-Philippe Rameau, Les Arts Florissants, William Christie having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anacréon - original version / Scene 1: "Règne, ô divin Bacchus!" - "Que le transport de ton ivresse" (Anacréon) | Jean-Philippe Rameau, Thierry Felix, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | E♭ Major | 1 | 5B | 106 BPM | ||
Zoroastre - Sarabande | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F Major | 0 | 7B | 114 BPM | ||
Mensa sonora / PARS I (In D Major): 5. Gavotte | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 81 BPM | ||
Madrigals, Book 5: Occhi del mio cor vita | Carlo Gesualdo, Les Arts Florissants, Paul Agnew | B Major | 1 | 1B | 76 BPM | ||
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 102 BPM | ||
Maddalena ai piedi di Cristo: No. 17 Recitativo Marta "Omai spezza quel nodo" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | B Minor | 1 | 10A | 102 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Les Indes galantes, Première Entrée, Scène 6: "Volez, Zéphyrs" (Emilie, Valère, Provençaux et Provençales de leur escadre, Esclaves africains d'Osman) | Jean-Philippe Rameau, Miriam Ruggeri, Howard Crook, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 170 BPM | ||
Les Indes galantes, Première Entrée, Scène 1 - Scène 2: "Que je ne verrai plus, barbare" (Emilie, Osman) | Jean-Philippe Rameau, Miriam Ruggeri, Nicolas Rivenq, Les Arts Florissants, William Christie | D♭ Minor | 1 | 12A | 79 BPM |
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