Jean-Philippe Rameau, Miriam Ruggeri, Nicolas Rivenq, Les Arts Florissants, William Christie's 'Les Indes galantes, Première Entrée, Scène 1 - Scène 2: "Que je ne verrai plus, barbare" (Emilie, Osman)' came out on October 14, 1991. Since Les Indes galantes, Première Entrée, Scène 1 - Scène 2: "Que je ne verrai plus, barbare" (Emilie, Osman) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #14. Les Indes galantes, Première Entrée, Scène 1 - Scène 2: "Que je ne verrai plus, barbare" (Emilie, Osman) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes, Première Entrée, Scène 1 - Scène 2: "Que je ne verrai plus, barbare" (Emilie, Osman) by Jean-Philippe Rameau, Miriam Ruggeri, Nicolas Rivenq, Les Arts Florissants, William Christie having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Platée, Acte 2 Scène 5: Récit "Vous vous trompez" (La Folie, Mommuss, Mercure, Cithéron, le Chœur) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Jeanine De Bique, Padraic Rowan, Marc Mauillon, Arnold Schoenberg Chor | F Minor | 3 | 4A | 139 BPM | ||
Purcell : King Arthur : Act 2 "Shepherd, shepherd, leave decoying" [Sopranos] | William Christie | F Minor | 1 | 4A | 94 BPM | ||
Platée, Acte 1 Scène 4: Récit "Quelque douce inquiétude" (Platée, Cithéron) | Jean-Philippe Rameau, Les Arts Florissants, William Christie, Marcel Beekman, Marc Mauillon | F Minor | 1 | 4A | 113 BPM | ||
Salve Regina in F minor: 3. Eia ergo, advocata nostra | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 2 | 11A | 78 BPM | ||
Primo Libro di madrigali, SV 23–39: IX. Fumia la pastorella | Claudio Monteverdi, Les Arts Florissants, Paul Agnew | E Major | 0 | 12B | 102 BPM | ||
Les Indes galantes, Prologue, Scène 5: Air pour les amants qui suivent Bellone - "Vous nous abandonnez" (Chœur) | Jean-Philippe Rameau, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 84 BPM | ||
La Calisto, Act I Scene 2: Piante ombrose (Calisto) | Francesco Cavalli, René Jacobs, Maria Bayo, Concerto Vocale | D♭ Major | 2 | 3B | 120 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act II: Ritornello - Song and Chorus. "Thanks to These Lonesome Vales" (Belinda, Chorus) | Henry Purcell, William Christie, Les Arts Florissants, Sophie Marin-Degor | D♭ Minor | 1 | 12A | 117 BPM | ||
Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
Handel: Serse, HWV 40, Act 2, Scene 12: Duetto. "Gran pena è gelosia" (Serse, Amastre) | George Frideric Handel, William Christie, Anne Sofie von Otter, Silvia Tro Santafe, Les Arts Florissants | F♯ Minor | 1 | 11A | 79 BPM |
Section: 1.181731939315796
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