Jean-Philippe Rameau, Miriam Ruggeri, Howard Crook, Les Arts Florissants, William Christie's 'Les Indes galantes, Première Entrée, Scène 6: "Volez, Zéphyrs" (Emilie, Valère, Provençaux et Provençales de leur escadre, Esclaves africains d'Osman)' came out on October 14, 1991. With this song being about 5 minutes long, at 5:27, "Les Indes galantes, Première Entrée, Scène 6: "Volez, Zéphyrs" (Emilie, Valère, Provençaux et Provençales de leur escadre, Esclaves africains d'Osman)" by Jean-Philippe Rameau, Miriam Ruggeri, Howard Crook, Les Arts Florissants, William Christie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 59 in the song's album "Rameau: Les Indes galantes". In this album, this song's track order is #18. The popularity of Les Indes galantes, Première Entrée, Scène 6: "Volez, Zéphyrs" (Emilie, Valère, Provençaux et Provençales de leur escadre, Esclaves africains d'Osman) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes, Première Entrée, Scène 6: "Volez, Zéphyrs" (Emilie, Valère, Provençaux et Provençales de leur escadre, Esclaves africains d'Osman) by Jean-Philippe Rameau, Miriam Ruggeri, Howard Crook, Les Arts Florissants, William Christie having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite en La: Sixième double | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 1 | 8B | 119 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | E Major | 0 | 12B | 89 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Frühlingsglaube (Arr. Franz Liszt) | Franz Schubert | A♭ Major | 3 | 4B | 64 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Concerto In A Minor, RV 356: 2. Largo | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | G Minor | 0 | 6A | 68 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM |
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