Jean-Philippe Rameau, Alexandre Tharaud's 'Suite en La: Sixième double' came out on 2001. With Suite en La: Sixième double being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Rameau: "Nouvelles suites"". In this album, this song's track order is #13. In terms of popularity, Suite en La: Sixième double is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite en La: Sixième double by Jean-Philippe Rameau, Alexandre Tharaud having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Sonata No. 55 in A Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | A Minor | 0 | 8A | 80 BPM | ||
Les Indes galantes, Nouvelle Entrée, Scène 6: "Forêts paisibles" (Zima & Adario, Choeur des Sauvages) | Jean-Philippe Rameau, Claron McFadden, Nicolas Rivenq, Les Arts Florissants, William Christie | F♯ Minor | 1 | 11A | 78 BPM | ||
6 Chants polonais, S. 480: No. 3, Das Ringlein (Pierscien, the Ring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | E♭ Major | 0 | 5B | 87 BPM | ||
Petite Ouverture à danser | Erik Satie, Alexandre Tharaud | B♭ Major | 0 | 6B | 96 BPM | ||
Concerto Italien, BWV 971: II. Andante | Johann Sebastian Bach, Alexandre Tharaud | G Major | 1 | 9B | 73 BPM | ||
Sonata in C Major, Kk.72 | Domenico Scarlatti, Alexandre Tharaud | G Major | 3 | 9B | 154 BPM | ||
Suite en Sol: Les Tricotets. Rondeau | Jean-Philippe Rameau, Alexandre Tharaud | G Major | 1 | 9B | 70 BPM | ||
Piano Sonata in B Minor, Hob.XVI:32: III. Finale. Presto | Joseph Haydn, Víkingur Ólafsson | E♭ Major | 0 | 5B | 122 BPM |
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