Jan Dismas Zelenka, Ensemble Inégal, Prague Baroque Soloists, Adam Viktora, Tobias Hunger made "Lauda Jerusalem, ZWV 104: Lauda Jerusalem - World Premiere Recordings" available on 2016. Since Lauda Jerusalem, ZWV 104: Lauda Jerusalem - World Premiere Recordings is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Psalmi Vespertini II". In this album, this song's track order is #9. In terms of popularity, Lauda Jerusalem, ZWV 104: Lauda Jerusalem - World Premiere Recordings is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Lauda Jerusalem, ZWV 104: Lauda Jerusalem - World Premiere Recordings by Jan Dismas Zelenka, Ensemble Inégal, Prague Baroque Soloists, Adam Viktora, Tobias Hunger having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Gesu al Calvario, ZWV 62: Recitative: O figlie di Sione (Maria Vergine) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | B Minor | 2 | 10A | 98 BPM | ||
Missa Dolorosa: I. Kyrie | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: IV. Giga. Allegro | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 3 | 5A | 69 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Salve Regina: No. 5., Et Jesu benedictum | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Gesu al Calvario, ZWV 62: Coro di Giudei: Si crocifigga il Nazareno (Chorus) | Jan Dismas Zelenka, David Cordier, Ingrid Schmithusen, Larissa Malikowa, Lena Susanne Norin, Kai Wessel, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | F♯ Minor | 3 | 11A | 118 BPM |
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