"2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511" by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto was released on April 26, 2024. With 2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan's "J.S. Bach - The Vocal Works" album is number 11 out of 42. On top of that, Sweden appears to be the country where this track was created. 2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511 by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te deum, LWV 55: II. Pleni sunt coeli et terra | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Concerto for 3 Harpsichords, Strings, and Continuo No. 2 in C, BWV 1064: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, Amsterdam Baroque Orchestra | B Major | 4 | 1B | 87 BPM | ||
Libera me in C Minor, HocJ E.2: VI. Dies illa, dies irae | Niccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 136 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux | Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: III. Ad manus. "Quid sunt plagae istae" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Michael Chance, Christoph Prégardien, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | D Major | 1 | 10B | 130 BPM | ||
Médée, H. 491, Act I: Air. "Que me peut demander la gloire" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Cyrille Dubois | G Minor | 3 | 6A | 64 BPM | ||
Die Schöpfung, Hob XXI:2, Part II: Die Schöpfung, Hob XXI:2, Part II: No. 26, Vollendet ist das große Werk | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, Benjamin Bruns, Tareq Nazmi, MDR Leipzig Radio Choir | B♭ Major | 1 | 6B | 116 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: VI. Israel hoffe auf den Herren | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | C Minor | 2 | 5A | 143 BPM | ||
Symphoniae sacrae II, SWV 350: Lobet den Herrn | Heinrich Schütz, David de Winter, Rachel Harris, Kathryn Parry, Tatty Theo, Lynda Sayce, Lisete da Silva Bull, Emily Bannister, Carolyn Gibley | F♯ Major | 3 | 2B | 175 BPM |
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