"Prokofiev: Romeo and Juliet, Op. 64, Act 3, Epiloque: Juliet's Funeral" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on 1973. Since Prokofiev: Romeo and Juliet, Op. 64, Act 3, Epiloque: Juliet's Funeral is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 52 in the song's album "Prokofiev: Romeo and Juliet". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Prokofiev: Romeo and Juliet, Op. 64, Act 3, Epiloque: Juliet's Funeral is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Romeo and Juliet, Op. 64, Act 3, Epiloque: Juliet's Funeral by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Different Equation | Alexandre Desplat, London Symphony Orchestra | C Minor | 0 | 5A | 119 BPM | ||
Scheherazade: Sinbad's mighty bird, the Roc | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 3 | 9B | 143 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3b, Pas de six. Grand adage | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 1 | 6B | 143 BPM | ||
Piano Concerto for Left Hand and Orchestra: Tarantella | Ned Rorem, Gary Graffman, André Previn, Symphony Orchestra of the Curtis Institute of Music | F Major | 1 | 7B | 105 BPM | ||
Mother Goose: I. Prélude | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 84 BPM | ||
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": XIV. E.D.U. (The Composer). Allegro presto (Finale) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Major | 3 | 9B | 73 BPM | ||
Gayaneh: Lullaby | Aram Khachaturian, London Symphony Orchestra, Stanley Black | A Minor | 0 | 8A | 92 BPM | ||
The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | C Major | 2 | 8B | 115 BPM | ||
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Karfreitagszauber | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM |
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