"Orphée et Eurydice (1997 Digital Remaster): J'ai perdu mon Eurydice" by Georges Prêtre, Maria Callas, The Orchestra National De La Radiodiffusion Francaise was released on 1997. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Maria Callas's "Maria Callas" album is number 1 out of 27. Orphée et Eurydice (1997 Digital Remaster): J'ai perdu mon Eurydice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orphée et Eurydice (1997 Digital Remaster): J'ai perdu mon Eurydice by Georges Prêtre, Maria Callas, The Orchestra National De La Radiodiffusion Francaise to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Puccini: Tosca, Act 1 Scene 1: "Ah! Finalmente! Nel terror mio stolto" (Angelotti, Sagrestano, Cavaradossi) | Giacomo Puccini, Leonardo Monreale, Giorgio Tadeo, Carlo Bergonzi, Orchestre De La Socit Des Concerts Du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, London Symphony Orchestra, Claudio Abbado | E Major | 1 | 12B | 91 BPM | ||
Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Georges Prêtre, Orchestre National De France | E♭ Major | 2 | 5B | 78 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Mireille, ACT 4: Heureux petit berger | Georges Prêtre, Janine Micheau, Orchestre de l'Opéra National de Paris | C Major | 2 | 8B | 75 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM |
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