Georges Prêtre, Janine Micheau, Orchestre de l'Opéra National de Paris's 'Mireille, ACT 4: Heureux petit berger' came out on 2004. The duration of Mireille, ACT 4: Heureux petit berger is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Mireille, ACT 4: Heureux petit berger's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 Best Opera Classics, so we believe that "Mireille, ACT 4: Heureux petit berger" is a single. Mireille, ACT 4: Heureux petit berger is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mireille, ACT 4: Heureux petit berger by Georges Prêtre, Janine Micheau, Orchestre de l'Opéra National de Paris is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: E soffitto, e pareti (Pinkerton/Goro) | Giacomo Puccini, Carlo Bergonzi, Piero de Palma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D♭ Major | 7 | 3B | 105 BPM | ||
Adelson e Salvini / Act 1: "Dopo l'oscuro nembo" | Vincenzo Bellini, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado | F Minor | 0 | 4A | 83 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
La Traviata: Act I: Un dì felice eterea | Giuseppe Verdi, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | F Major | 1 | 7B | 76 BPM | ||
Gluck: Iphigénie en Tauride, Wq. 46, Act 2: "Dieux qui me poursuivez" (Oreste) | Christoph Willibald Gluck, Georges Prêtre, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 2 | 9B | 67 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Puccini: Tosca, Act 1 Scene 4: "Gente là dentro!" (Cavaradossi, Angelotti, Tosca) | Giacomo Puccini, Carlo Bergonzi, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM |
Section: 0.7236261367797852
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