"Concierto Neoclásico para Dos Arpas y Cuerdas: I. Allegro con brio" by Manuel Moreno-Buendia, Baltazár Juárez, Orquesta de Cámara de Bellas Artes, José Luis Castillo, Nicolás Tulliez was released on 2016. Since Concierto Neoclásico para Dos Arpas y Cuerdas: I. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 3 Conciertos para Arpas, so we believe that "Concierto Neoclásico para Dos Arpas y Cuerdas: I. Allegro con brio" is a single. Based on our statistics, Concierto Neoclásico para Dos Arpas y Cuerdas: I. Allegro con brio's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concierto Neoclásico para Dos Arpas y Cuerdas: I. Allegro con brio by Manuel Moreno-Buendia, Baltazár Juárez, Orquesta de Cámara de Bellas Artes, José Luis Castillo, Nicolás Tulliez is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La boda de Luis Alonso, o La noche del encierro: El baile de Luis Alonso: Intermedio | Jerónimo Giménez, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | E Major | 1 | 12B | 112 BPM | ||
La Dolores / Act 1: Jota | Tomás Bretón, Elisabete Matos, Raquel Pierotti, Máire Lang, Santiago Calderon, Tito Beltrán, Cor Del Gran Teatro De Liceu, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Antoni Ros Marbá | A Major | 2 | 11B | 108 BPM | ||
Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
Alma Zíngara | Manuel Moreno-Buendia | G Major | 4 | 9B | 109 BPM | ||
La Gran Via: Tango de la menegilda - 2006 - Remaster | Joaquín Valverde, Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos | E Minor | 0 | 9A | 83 BPM | ||
Viva Navarra | Orquesta de Conciertos de Madrid, Tomás Palomino, Victorino Echevarría | C Major | 3 | 8B | 116 BPM | ||
The Phantom Melody | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 91 BPM | ||
La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM |
Section: 0.6204366683959961
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