Jacinto Guerrero, Nicasio Tejada made "La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide"" available on October 9, 1959. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jacinto Guerrero, Nicasio Tejada's "La Rosa del Azafrán" album is number 3 out of 18. On top of that, Spain appears to be the country where this track was created. La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" by Jacinto Guerrero, Nicasio Tejada to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme, erster Akt: Ho pagato il Trimestre | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | A♭ Major | 4 | 4B | 173 BPM | ||
El Rey Que Rabió: "Quinteto: Buenas noches" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Ana Maria Fernandez, Manuel Ausensi, Manuel Tierra, Carlos S. Luque, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | F Major | 2 | 7B | 134 BPM | ||
Lucia di Lammermoor, Act I: Regnava nel silenzio | Gaetano Donizetti, Zuzana Markova, Carlotta Vichi, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F Major | 1 | 7B | 64 BPM | ||
El Año Pasado por Agua: "Mazurca: Hágame Usté el Favor" | Ana Maria Iriarte, Gerardo Monreal, Carlos S. Luque | B♭ Major | 3 | 6B | 140 BPM | ||
Le nozze di Figaro, K.492, Act III: Recitativo. "E Susanna non vien!" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Aleteo Duet Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | C Minor | 3 | 5A | 95 BPM | ||
Cavalleria rusticana: Mamma, quel vino è generoso (Addio alla madre) | Pietro Mascagni, Magdalena Łukawska, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E♭ Major | 2 | 5B | 79 BPM | ||
La Parranda: Festejando la Flor Primera | Francisco Alonso, Nicasio Tejada | F♯ Major | 3 | 2B | 146 BPM | ||
Los Gavilanes: "Tocad, Tamborileros" | José Ramos Martín, Jacinto Guerrero, Gran Orquesta Sinfonica | E Major | 3 | 12B | 81 BPM | ||
La Rosa del Azafrán: "Juan Pedro y coro general" | Coros Cantores De Madrid, Manuel Ausensi | F Major | 4 | 7B | 73 BPM |
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