Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa's 'Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 12. Ich Hab' Im Traum Geweinet' came out on September 1, 2014. The duration of Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 12. Ich Hab' Im Traum Geweinet is about 3 minutes long, at 3:22. Based on our data, "Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 12. Ich Hab' Im Traum Geweinet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa's "Im wunderschönen Monat Mai" album is number 12 out of 21. Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 12. Ich Hab' Im Traum Geweinet is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Im wunderschonen Monat Mai (After R. Schumann & F. Schubert): No. 12. Ich Hab' Im Traum Geweinet by Reinbert de Leeuw, Schönberg Ensemble, Barbara Sukowa to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Composition II: Dies irae: V | Galina Ustvolskaya, Schönberg Ensemble, Reinbert de Leeuw | C Minor | 4 | 5A | 75 BPM | ||
Petite ouverture à danser | Erik Satie, Reinbert de Leeuw | A♭ Major | 0 | 4B | 77 BPM | ||
6 Moments musicaux, Op. 94, D. 780: II. Andantino, A-Flat Major | Franz Schubert, Jenő Jandó | C Major | 2 | 8B | 79 BPM | ||
Estampes, L. 100: 1. Pagodes | Claude Debussy, Claudio Arrau | A♭ Minor | 1 | 1A | 76 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Four Songs To Poems By János Pilinszky, Op. 11: In Memoriam F.M. Dosztojevszkij | György Kurtág, Harry Van Der Kamp, Asko Schönberg, Reinbert de Leeuw | F Major | 0 | 7B | 109 BPM | ||
Piano Trio In E Flat Major, Op. 148, D. 897, "Notturno": Adagio | Stuttgart Piano Trio, Franz Schubert | B♭ Major | 0 | 6B | 92 BPM | ||
Composition II: Dies irae: III | Galina Ustvolskaya, Schönberg Ensemble, Reinbert de Leeuw | E♭ Major | 2 | 5B | 65 BPM | ||
Fünf Lieder nach Gedichten von Richard Dehmel: IV. Nächtliche Scheu | Anton Webern, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Suite in E Minor, RCT 2: Pièces de clavecin: Suite in E Minor: V. Le rappel des oiseaux (arr. I. Friedman for piano) | Ignaz Friedman, Jean-Philippe Rameau, Joseph Banowetz | E Minor | 2 | 9A | 172 BPM |
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