Galina Ustvolskaya, Schönberg Ensemble, Reinbert de Leeuw's 'Composition II: Dies irae: V' came out on January 1, 1995. With Composition II: Dies irae: V being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Ustvolskaya: Compositions I, II & III". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. Composition II: Dies irae: V is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Composition II: Dies irae: V by Galina Ustvolskaya, Schönberg Ensemble, Reinbert de Leeuw having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reineke Fuchs (Arr. H. Ruhmann for Narrator & Chamber Ensemble): Zwischenspiel No. 10, Waltz | Peter Kiesewetter, Heinz Rühmann, Symphonieorchester des Bayerischen Rundfunks | D♭ Major | 4 | 3B | 81 BPM | ||
Syrinx, CD 137 (Version for Oboe d'amore) | Claude Debussy, Heinz Holliger | E♭ Minor | 2 | 2A | 171 BPM | ||
Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves | Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard | D Major | 2 | 10B | 168 BPM | ||
Tromsö 2018 I | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 0 | 4A | 70 BPM | ||
Serenade in C Major, Op. 10: I. Marcia: Allegro | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | D♭ Major | 2 | 3B | 123 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": VIII. Dance of the Eart | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | ||
Notturno for Strings and Harp: Lento | Irving Fine, Gerard Schwarz, New York Chamber Symphony | D Major | 2 | 10B | 147 BPM | ||
String Quartet No. 1, op. 20: 1. Allegro violento ed agitato | Alberto Ginastera, Latino Americano String Quartet | G Major | 4 | 9B | 167 BPM | ||
Composition No 1 Dona Nobis Pacem (1970/71): I | Galina Ustvolskaya, Marianne Schroeder, Felix Renggli, David LeClair | C Major | 2 | 8B | 90 BPM |
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