"Fünf Lieder nach Gedichten von Richard Dehmel: IV. Nächtliche Scheu" by Anton Webern, Barbara Hannigan, Reinbert de Leeuw was released on August 24, 2018. The duration of Fünf Lieder nach Gedichten von Richard Dehmel: IV. Nächtliche Scheu is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Fünf Lieder nach Gedichten von Richard Dehmel: IV. Nächtliche Scheu's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vienna: Fin de Siècle by Barbara Hannigan, Reinbert de Leeuw. The song's track number on the album is #8 out of 31 tracks. Based on our data, France was the country where this track was produced or recorded. Fünf Lieder nach Gedichten von Richard Dehmel: IV. Nächtliche Scheu is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fünf Lieder nach Gedichten von Richard Dehmel: IV. Nächtliche Scheu by Anton Webern, Barbara Hannigan, Reinbert de Leeuw has a tempo of 75 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Fünf Lieder nach Gedichten von Richard Dehmel: IV. Nächtliche Scheu being at 75 BPM, the half-time would be 38 BPM with a double-time of 150 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Visions fugitives, Op.22: 2. Andante | Sergei Prokofiev, Anna Gourari | E♭ Major | 0 | 5B | 66 BPM | ||
Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Emmanuelle Bertrand, BBC National Orchestra Of Wales, Pascal Rophe | E♭ Major | 0 | 5B | 91 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
6 German Dances, D. 820 (arr. A. Webern): VI. -- | Franz Schubert, Anton Webern, Philharmonia Orchestra, Robert Craft | B♭ Major | 0 | 6B | 84 BPM | ||
Alpine Symphony: Night | Richard Strauss, Rico Saccani, Budapest Philharmonic Orchestra | B♭ Minor | 3 | 3A | 81 BPM | ||
Wozzeck / Act I: Scene II: An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!" | Alban Berg, Franz Grundheber, Philip Langridge, Claudio Abbado, Wiener Philharmoniker | D♭ Major | 1 | 3B | 145 BPM | ||
I. Kantate Op. 29 For Soprano, Mixed Chorus And Orchestra: III. Ruhig "Tönen die seligen Saiten" | Anton Webern, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez, BBC Singers | F♯ Minor | 0 | 11A | 74 BPM |
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