"Estampes, L. 100: 1. Pagodes" by Claude Debussy, Claudio Arrau was released on January 1, 1991. With this song being about 5 minutes long, at 5:04, "Estampes, L. 100: 1. Pagodes" by Claude Debussy, Claudio Arrau is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 33 in Debussy: Preludes; Images; Estampes by Claude Debussy, Claudio Arrau. Estampes, L. 100: 1. Pagodes is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Estampes, L. 100: 1. Pagodes by Claude Debussy, Claudio Arrau is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.2 in E flat, Op.9 No.2 | Frédéric Chopin, Claudio Arrau | B♭ Major | 0 | 6B | 108 BPM | ||
Petite Suite: En Bateau - Arr. Henri Büsser For Orchestra | Henri Büsser, Gerald Garcia, Claude Debussy | G Major | 1 | 9B | 75 BPM | ||
Fantasie Nègre No. 4 in B minor | Florence Beatrice Price, Lara Downes | G Major | 2 | 9B | 70 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
3 Romances, Op. 11: I. Andante | Clara Schumann, Yoshiko Iwai | E♭ Minor | 0 | 2A | 106 BPM | ||
From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker, Yo-Yo Ma | D♭ Major | 0 | 3B | 78 BPM | ||
Davidsbündlertänze, Op. 6: No. 2, Innig | Robert Schumann, Claudio Arrau | B♭ Major | 1 | 6B | 97 BPM | ||
Romance from the Past | Takashi Yoshimatsu, Pascal Rogé | F Minor | 1 | 4A | 116 BPM | ||
Danse, "Tarentelle styrienne" | Claude Debussy, François-Joël Thiollier | F♯ Minor | 1 | 11A | 69 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM |
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