Johann Strauss II, Bratislava City Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner made "Faust: Faust: Romance" available on February 21, 1996. The duration of Faust: Faust: Romance is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Faust: Faust: Romance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Strauss Ii, J.: Edition - Vol. 47". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. The popularity of Faust: Faust: Romance is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Faust: Faust: Romance by Johann Strauss II, Bratislava City Chorus, Slovak Radio Symphony Orchestra, Johannes Wildner having a BPM of 184 with a half-time of 92 BPM and a double-time of 368 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khovanshchina - Compl. & Orch. Rimsky-Korsakov: Prelude | Modest Mussorgsky, Orchestre de la Suisse Romande, Ernest Ansermet | F♯ Major | 1 | 2B | 177 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 137 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Czech Symphony Orchestra, Michaela Rózsa Růžičková | B♭ Major | 2 | 6B | 134 BPM | ||
Giselle: Act I: Allegro un peu loure | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 169 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
National Anthem of Chile (Chile) [Arr. P. Breiner] | Ramon Carnicer Y Battle, Slovak Radio Symphony Orchestra, Peter Breiner | E♭ Major | 3 | 5B | 114 BPM | ||
Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
Pavane pour une infante defunte | Maurice Ravel, Slovak Radio Symphony Orchestra, Kenneth Jean | G Major | 0 | 9B | 86 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM |
Section: 0.5482244491577148
End: 0.5524194240570068