György Ligeti, Pierre-Laurent Aimard, Irina Kataeva's '3 Pieces for 2 Pianos: I. Monument' came out on November 26, 1996. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in György Ligeti, Pierre-Laurent Aimard, Irina Kataeva, Zsigmond Szathmáry's "György Ligeti Edition, Vol. 6: Keyboard Works" album is number 13 out of 22. 3 Pieces for 2 Pianos: I. Monument is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 3 Pieces for 2 Pianos: I. Monument by György Ligeti, Pierre-Laurent Aimard, Irina Kataeva to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludes: Le nombre leger (The Light Number) | Olivier Messiaen, Håkon Austbø | B Major | 1 | 1B | 68 BPM | ||
D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 87 BPM | ||
Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4 Peripetie (Peripeteia) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 76 BPM | ||
Sept papillons: Papillons I | Kaija Saariaho, Alexis Descharmes | D Major | 1 | 10B | 86 BPM | ||
String Quartet no.2 (1967-68): III. Come un meccanismo di precisione | György Ligeti, LaSalle Quartet | F Major | 0 | 7B | 91 BPM | ||
Parade: Choral - Prélude du rideau rouge - Prestidigitateur chinois | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | C Major | 0 | 8B | 80 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Shchedrin: Carmen Suite: I. Introduction (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | D♭ Major | 4 | 3B | 154 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: I. Largo | Dmitri Shostakovich, Asasello Quartett | G Major | 0 | 9B | 88 BPM |
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