"String Quartet no.2 (1967-68): III. Come un meccanismo di precisione" by György Ligeti, LaSalle Quartet was released on January 1, 1988. The duration of String Quartet no.2 (1967-68): III. Come un meccanismo di precisione is about 3 minutes long, at 3:06. Based on our data, "String Quartet no.2 (1967-68): III. Come un meccanismo di precisione" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in György Ligeti, LaSalle Quartet, Ensemble Intercontemporain, Pierre Boulez's "Ligeti: Chamber Concerto; Ramifications; String Quartet No.2; Aventures" album is number 8 out of 12. On top of that, Germany appears to be the country where this track was created. In terms of popularity, String Quartet no.2 (1967-68): III. Come un meccanismo di precisione is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of String Quartet no.2 (1967-68): III. Come un meccanismo di precisione by György Ligeti, LaSalle Quartet to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Nuits | Iannis Xenakis, Schola Heidelberg, Walter Nußbaum | D Major | 2 | 10B | 123 BPM | ||
Piano Concerto No. 1, Op. 45: III. Molto vivace | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 3 | 5A | 76 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Spring Rounds | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Minor | 0 | 3A | 135 BPM | ||
Prologue: Chorus of Exiled Palestinians | John Adams, Kent Nagano, The Opera De Lyon, London Opera Chorus | F Minor | 0 | 4A | 90 BPM | ||
Ionisation | Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | A Major | 6 | 11B | 116 BPM | ||
Lamentate: Lamentabile | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | A♭ Minor | 5 | 1A | 135 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
3 Pieces for String Quartet: No. 1 | Igor Stravinsky, Goldner String Quartet | D♭ Major | 3 | 3B | 131 BPM | ||
Préludes / Book 1, L.117: 6. Des pas sur la neige | Claude Debussy, Pierre-Laurent Aimard | F Major | 0 | 7B | 132 BPM |
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