Edvard Grieg, Eugene Ormandy's 'Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King' came out on August 12, 2003. The duration of Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Eugene Ormandy's "Grieg: Peer Gynt, Concerto Pour Piano" album is number 4 out of 12. In terms of popularity, Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Peer Gynt, Suite No. 1, Op. 46: In the Hall of the Mountain King by Edvard Grieg, Eugene Ormandy to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Lac des Cygnes, Op.20: Acte II, Scène 2 | L'Orchestre National du Bolchoï, Algys Juraitis | A♭ Major | 1 | 4B | 77 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Adagio | Tomaso Albinoni, Collegium Aureum | D♭ Major | 0 | 3B | 138 BPM | ||
Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
Le concerto de l'adieu (Du spectacle "Les orgues de feu") | Georges Delerue, Prague Symphonic Ensemble | F Minor | 3 | 4A | 101 BPM | ||
Grieg: Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Beginning, arr. Ian Wherry) | Edvard Grieg, Maksim | F Major | 10 | 7B | 142 BPM | ||
A Night on Bald Mountain | Modest Mussorgsky, Eugene Ormandy | D Major | 2 | 10B | 109 BPM | ||
Valse No. 17 en la mineur, Brown Index No. 150: Allegretto - Oeuvre posthume | Frédéric Chopin, Bruno Rigutto | F Major | 4 | 7B | 109 BPM | ||
Rameau: Hippolyte et Aricie, RCT 43, Act 3 Scene 1: Prélude | Jean-Philippe Rameau, Véronique Gens, Christophe Rousset, Les Talens Lyriques | B♭ Major | 2 | 6B | 107 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B Minor | 0 | 10A | 94 BPM |
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